Can it be sacrilege to declare that the best-looking movie set in Paris was shot by a number of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French money – plus the neoclassical edifices of Mussolini’s Rome – in great blues and shards of sunshine as sharp as https://www.remoteworker.co.uk/profiles/6527826-phim-hentai