In Coralie Fargeat's new feminist terror film The Substance, damaging societal elegance specifications are the actual creatures. They (women objectification, the fingertip of "the outdated," the spread of a market built on body modification) supply a monster of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://kaitlinolsonvideos.tusblogos.com/30021768/the-substance